AllTrack

Rights Administration

AllTrack provides rights administration across composition performance royalties, mechanical royalties, and neighboring-rights collections.

Its performing-rights service licenses public uses of compositions and pays members from performance license fees collected from businesses, venues, broadcasters, digital services, and other music users. The company presents itself as a U.S.-based performing rights organization with free writer and publisher accounts, a creator portal, and quarterly royalty payments.

The mechanical-rights service extends administration into reproduction-based royalties. AllTrack states that it collects mechanical license fees from businesses that reproduce and distribute music, then pays those amounts to members as mechanical royalties.

The neighboring-rights service addresses sound-recording performance income for artists, producers, labels, and rights owners. AllTrack describes collection for U.S. satellite radio and non-interactive digital streaming, plus international broadcast, TV, and public-performance uses through CMO relationships. Its neighboring-rights page states that independent artists may be eligible for both performer and rights-owner shares when they have not assigned those rights to another party.

This makes AllTrack a hybrid rights-collection entity rather than a narrow performance-only organization. Its service model combines licensing, registration, royalty collection, metadata administration, and royalty-statement workflows under one rights-management brand.

Collection Infrastructure

AllTrack’s infrastructure centers on online registration, repertory data, metadata enrichment, and direct collection workflows.

The public repertory search displays compositions represented by AllTrack for performing rights. The company notes that the tool does not display sound recordings represented for neighboring rights or compositions represented for mechanical rights, which is an important scope limit for business licensees and creators reviewing represented works.

For creators, the operational workflow is account creation, song or recording registration, usage monitoring, and automatic payment when royalties are processed. AllTrack’s help materials describe separate payment schedules for mechanical royalties, U.S. performance royalties, non-U.S. performance royalties, and neighboring-rights royalties, with statements available in member accounts at payment time.

The neighboring-rights product adds recording-level administration. AllTrack says it registers recordings with local CMOs, enriches missing metadata, monitors for missing registrations or improper claims, and assists with disputes. Its public claims emphasize global collection from over 100 CMOs and worldwide neighboring-rights administration for artists, producers, and labels.

The infrastructure profile is stronger than a simple royalty-dashboard startup, but the public creator review record still points to execution risk around support and account visibility.

Member Experience

Public creator feedback is small and negative enough to reduce confidence in day-to-day service execution.

Trustpilot lists six reviews with a poor aggregate rating. Complaints focus on delayed support, account access problems, payout uncertainty, weak statement visibility, and confusion around terms. AllTrack has replied to negative reviews and directs users toward support and repertory resources, but the public record still shows repeated friction points from creators trying to resolve account or royalty questions.

BBB records present a stronger business-profile signal: AllTrack is BBB accredited, carries an A+ BBB rating, and is listed as providing public-performance music licensing on behalf of affiliated songwriters, composers, and music publishers. That profile supports legitimacy and business continuity, but it does not outweigh unresolved creator-facing complaints enough to justify a high satisfaction score.

The score therefore separates infrastructure from user sentiment. Company capability is supported by the rights scope, accreditation, payment framework, and current service expansion. UserScore remains zero because six public reviews are not enough to create a representative member-experience score. The main practical risk for creators is not whether AllTrack is a real rights organization; it is whether support, account access, statements, and payout timing meet expectations during edge cases.