Triple Crown Records
Artist Development Track Record
The label demonstrates documented investment in artist career development across multiple roster members. Oso Oso’s Jade Lilitri described the signing process in detail, noting that Triple Crown chose to re-release his prior independent album rather than rush new studio production—a strategy he credited with enabling sustainable touring after years of self-funding. The label provided financial backing that Lilitri characterized as transformative for managing touring costs.
“As an artist, it’s beyond exciting to have this kind of backing to allow you to grow/explore and just reach a new potential in what Oso Oso can create.”
Kississippi’s Zoe Reynolds documented crisis intervention when SideOneDummy Records downsized three weeks after announcing her debut album. Reynolds credited Fred Feldman with personal support during the transition, enabling self-release of “Sunset Blush” before establishing a full partnership for “Mood Ring” that included collaborations with Sarah Tudzin, Derek Ted, and Marshall Vore.
Free Throw’s Cory Castro described organic discovery after Fred Feldman attended a live performance and immediately pursued signing. Dogleg received guidance on production during album shopping, with the label providing structural support during significant membership changes mid-production cycle. Tiny Moving Parts completed a three-album deal before transitioning to Hopeless Records, describing the move as exploring new creative direction rather than contractual dissatisfaction.
Commercial Performance
The roster achieves consistent critical recognition across alternative rock publications. Oso Oso secured two Pitchfork “Best New Music” designations for “Basking in the Glow” and “Sore Thumb,” representing significant validation for independent releases. Foxing’s “Dealer” reached #3 on Billboard’s Vinyl Albums Chart, a notable achievement for indie rock in physical media sales. The album received sustained coverage from Stereogum and Pitchfork through multiple release cycles.
Holy Fawn earned Stereogum Top 50 Albums recognition and secured opening slots for major touring acts including Thrice, Deafheaven, and Coheed & Cambria. Caspian maintains active touring presence with 600+ documented performances and consistent venue bookings through 2024. The catalog generates streaming presence across Spotify, Apple Music, and YouTube with active playlist curation and release campaigns.
The label maintains YouTube channel presence with 106,000 subscribers and 1,000+ videos documenting releases and artist content. Bandcamp storefront hosts full catalog availability with active sales infrastructure. Social media engagement includes 15,000 Instagram followers and 16,000 Facebook followers with verified business status.
Distribution Infrastructure
The Orchard partnership provides global digital distribution to 150+ streaming platforms including Spotify, Apple Music, Amazon Music, and Tidal. This arrangement replaced Alternative Distribution Alliance coverage that served the label from 2004 through early 2024. The Orchard affiliation offers proprietary distribution tools and Sony Music’s B2B relationships for sync licensing and marketing support.
Regional distribution utilized Cooking Vinyl Australia for Australasia territories during 2017-2018, demonstrating international market presence. Physical distribution operates through The Orchard’s retail partnerships in North America and Europe. The distribution infrastructure supports both digital streaming optimization and vinyl production for roster releases.
Platform presence includes verified Spotify label page with curated playlists and release management. Bandcamp serves as direct-to-consumer sales channel with full catalog access and merchandise integration. The distribution framework enables simultaneous global release coordination across territories.
Artist Experience
Testimonials document positive contract experiences and label accessibility across multiple roster members. Oso Oso’s Jade Lilitri provided detailed signing testimony in 2018, describing the label’s curated roster appeal and financial backing as enabling career growth. A November 2019 interview revealed the label’s approach to artist development, noting they prioritized re-releasing prior work over rushing new studio commitments.
Free Throw’s Cory Castro stated in May 2017:
“They’ve been the nicest people on earth, it’s been a pleasure to work with them.”
Castro described Fred Feldman’s personal attendance at live performances leading to signing discussions, characterizing the experience as exceeding expectations for label quality.
Kississippi’s Zoe Reynolds documented Fred Feldman’s intervention during SideOneDummy Records’ operational collapse, describing his support as crucial for navigating self-release logistics before establishing full partnership. Tiny Moving Parts maintained three-album deal satisfaction from 2014-2019, explicitly stating comfort with label affiliation and expressing honor at Triple Crown association. Dogleg documented organic album shopping process where the label provided production guidance.
Sorority Noise maintains ongoing partnership through 2025 with multiple releases and no documented contract complaints. The testimonials span 2014-2025, indicating sustained positive artist relationships across multiple operational periods and ownership transitions.
Operational Structure
The label operates as subsidiary of Round Hill Records following June 2021 acquisition that added 150+ titles to Round Hill’s masters portfolio. Founder Fred Feldman continues as President/Owner, maintaining operational autonomy while accessing capital backing from Round Hill’s investment portfolio. This structure preserves curator identity while providing financial resources for artist development and catalog acquisition.
The acquisition represents strategic positioning within consolidated music industry while retaining independent label characteristics. Fred Feldman’s career includes General Manager tenure at Profile Records and President position at Fat Beats Records, establishing music industry credibility. The label maintains selective signing practices with approximately 20 active roster members focused on alternative rock subgenres.
Business model operates through traditional recording contracts with documented commitment to advances, tour support, and producer relationships. Artists document receiving meaningful financial backing for touring infrastructure and studio production. The label facilitates producer collaborations including Mike Sappone and studio partnerships that indicate investment in recording quality beyond DIY approaches.
The roster demonstrates average artist tenure of 5-10 years, with multiple artists completing multi-album deals before natural transitions to other labels. This retention pattern indicates contractual satisfaction and sustainable artist-label relationships. The label’s 27-year operational history provides institutional stability for long-term artist development commitments.
Final Verdict
Triple Crown Records operates as an artist-focused independent label with documented commitment to financial support and development infrastructure. Founder Fred Feldman maintains personal involvement in artist discovery and crisis intervention, with testimonials highlighting label accessibility during industry challenges. The roster achieves critical recognition through Pitchfork features and Billboard chart placements while maintaining selective signing practices. Round Hill Records acquisition provides capital backing without disrupting operational autonomy. Distribution through The Orchard ensures global platform access. Artist testimonials consistently describe positive contract experiences, meaningful advances, and tour support enabling career sustainability. The label demonstrates legitimate independent operations with 27-year track record and maintained artist tenure averaging 5-10 years per roster member.